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Here’s some information, which is a bit more female specific, to remember: Although porn is entering people’s lives earlier and earlier, it is important to remind young consumers that it is not reality.

Porn makes sex a fantasy and, although that’s okay, it’s way more special – and fun – developing a sexual relationship with a real, consenting human being.

At the epicenter of this bizarre tale is the accused Brian, played by tenor Paul Appleby.

On the fast track to becoming one of the opera world’s next great tenors (at age 30, Appleby is a recent graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program and a recipient of a 2012 Leonore Annenberg Fellowship in the Performing and Visual Arts), Appleby has his hands full with a vocally and emotionally demanding role that is stretching the boundaries of contemporary opera.

Set in an industrial English city at the dawn of Internet chat rooms circa 2001, a teenager is accused of murdering a 13-year-old boy he meets online.

Bringing a bit of Broadway caché to the team is librettist Craig Lucas (The Dying Gual, Prelude to a Kiss, and the screenplay Longtime Companion) and director Bartlett Sher (Golden Boy, South Pacific, The Light in the Piazza).

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under Dad’s T-shirts – along with the “ooooh’s” and “aaaah’s” of naked boobies – has turned into the discovery of, at times, hardcore porn on the Internet.

And it’s pretty much unavoidable as the interest in sex and sexual imagery is completely normal.

But the way to approach this would be the same as talking about sex: without judgement.

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